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General
Item no. | 176797 |
Musical Genre | Horror Punk |
Exclusive | No |
Media - Format 1-3 | CD & DVD |
Edition | Special Edition |
Product topic | Horror, Bands |
Band | Murderdolls |
Product type | CD |
Release date | 27/08/2010 |
Disc 1
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1.The World According To Revenge
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2.Chapel Of Blood
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3.Bored 'Til Death
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4.Drug Me To Hell
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5.Nowhere
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6.Summertime Suicide
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7.Death Valley Superstars
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8.My Dark Place Alone
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9.Blood Stained Valentine
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10.Pieces Of You
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11.Homicide Drive
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12.Rock N Roll Is All I Got
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13.Nothing's Gonna Be Alright
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14.Whatever You Got, I'm Against It
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15.Hello, Goodbye, Die
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16.Motherfucker See, Motherfucker Do
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17.Funeral Ball
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18.A Moment Of Violence
Disc 2
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1.The World According To Revenge
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2.Chapel Of Blood
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3.Twist My Sister
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4.My Dark Place Alone
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5.She Was A Teenage Zombie
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6.Die My Bride
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7.Dead In Hollywood
by Dom Lawson (01.10.2010) It´s hard to know whether Joey Jordison and Wednesday 13 will be horrified or delighted to discover that after a six-year hiatus, Murderdolls are duty bound to reacquaint the world with the notion of balls-out, snot-splattered Rock’n’Roll for a second time. The band’s blend of Horror-Punk and Sleaze Metal was executed with a certain swagger on their Beyond The Valley Of The Murderdolls debut, but Women And Children Last is an entirely different and much more convincingly powerful beast. This is a much tougher, heavier and more sonically robust incarnation of the band, with less goofiness and a tangible intensity that was barely hinted at previously. Kicking off with the yob metal call-to-arms of Chapel Of Blood and rampaging through a further 13 irresistibly cocksure and perversely catchy anthems, ranging from the sublime radio rock of Summertime Suicide to the rib-shattering urgency of Rock ‘N’Roll Is All I Got, this demands to be regarded as the moment that Murderdolls stopped being a cartoon and morphed into a terrifyingly real and wildly compelling Rock’n’Roll band for the modern age.When Mötley Crüe’s Mick Mars pops up to add some deliciously unhinged lead breaks to a couple of tracks, it’s as if a stirring passing of the torch has taken place. The ‘dolls are back, they’re pissed off and this time they mean every last fucking word.